In Coralie Fargeat's new feminist terror flick The Substance, harmful popular appeal criteria are the real creatures. They (women objectification, the disposal of "the outdated," the spread of a business built on body customization) nourish a monster of a pattern that leads Demi Moore's fading television personality character Elisabeth https://theguardian2024.wikiexcerpt.com/3112692/margaret_qualley_the_substance